Doors 7PM Show 8PM
General Admission Standing Room: $30ADV / $35DOS
Reserved Balcony Seating: $45ADV / $50DOS
Some artists need to be experienced in person. Eivør is one of them.
Originally from the Faroe Islands, Eivør brings her extraordinary voice and full band to Atwood Music Hall on Nov 7 —a rare chance to encounter an artist whose music feels both deeply intimate and otherworldly.
Dark atmospheric rock, pulsing electronics and primal vocals meet in a live show that moves from a whisper to overwhelming power. Having opened for Heilung as their special guest on numerous tours, she now brings her own world to Madison.
Known for her unmistakable voice on The Last Kingdom and God of War soundtracks, Eivør is celebrating her new album TUNGL, released 16 October on Nuclear Blast.
“Gave even the mighty Chelsea Wolfe a run for her money” — Kerrang!, ArcTanGent live review, 2026
For fans of Chelsea Wolfe, Wardruna and Heilung.
midori jaeger is a London-based cellist and songwriter originally from Japan. Her music has been championed by The New York Times, BBC Radio 3, BBC 6 Music, KEXP, CLASH and Line of Best Fit.
This year she releases (Un/Re)planted, a concept EP written at the cello, depicting uprootedness and mixed cultural identity. The cello itself is an instrument that was once a living tree plucked from the earth.
In parallel, the songs express midori's own journey as a child growing up in multiple continents, uprooted and forced to build roots on different soils. midori is a globally in-demand collaborative multi-instrumentalist, including recent live performances with Imogen Heap, Jessie Ware, Courtney Pine, Patrick Watson, Daughter and Christian Löffler.
‘’midori jaeger...often builds her songs atop pizzicato cello parts that sketch harmony, counterpoint and shifting meters as they hop around her voice...The spartan production — cello, drums, vocals, — gives her the space she’s claiming’’ — Jon Pareles, the New York Times
‘’midori jaeger has created something singular here: A world unto itself, percussive and human, feverish and tender.’’ - Atwood Magazine
"A sensuous, subtly propulsive track built around her lustrous voice, airy synths and a rhythmic cello groove consisting of plucked strings." - The Line of Best Fit